Tag Archives: bell hooks

ReWording

I missed my self-imposed “deadline” although I have been thinking a lot about the second reading and it’s place in the liturgy and my own journey with those readings – often seeming like mini sermons but even more boring when I was a child and only really gaining any life when I studied Greek and also acquired a collection of feminist lenses (hermeneutic of suspicion but also the tendency to read between the lines and try to gather crumbs of liberative promise in the texts).

Over the years I think I have become less inclined to apologise for the text- to make excuses for it or try to redeem it from itself. Yes many readings are riddled with patriarchy. At the same time I find I no longer demand that the text show me “truth”. The text and I are sometimes like friendly ex-lovers or like best friends who have lived through their differences. I have learned when to refuse to listen and when to argue. Familiarity breeds contempt they say. There may be danger in this.

We do need more than one reading from tradition, but I do wonder why the lectionary is so set in stone, why we don’t sometimes use other letters, poems, stories, sermons or even paintings as our “second reading”? Or as our psalm- the use of the psalm is even more puzzling and unimaginative in the “set in stone” lectionary and liturgy. Psalms are about emotion, exaggeration- the artistic expression, the tantrum, the make-up sex of the bible. Why do we never draw or dance a psalm of our own instead of piously trying to follow a (usually uninspiring) tune placed on the anachronistic words?

I write and pray and make my own psalms all the time. Sometimes on a sunny day if I can get away with it I make a psalm by rolling down the hill or throwing autumn leaves at a friend (usually a child) or running with my son onto every sandbag at the beach or splashing water or photographing a rainbow or dancing at 3am (rarely now). Those are the songs of praise but I also construct a psalm in too much chilli in the soup when I have the sniffles, or in angrily burying the dead mouse my cat brought me or turning off the news because I am powerless to respond to it adequately or crying into my pillow or being awake in the middle of a work-night and fearing the death that already claimed my younger brother.

I’m not trying to “show off” with this sort of talk of psalm making. I am guessing everyone does this. How is it not a psalm unless it is written on scraps of papyrus by men from an ancient civilisation?

So the psalm would have endless possibility if we prayed with fewer boundaries keeping ourselves out of our prayers (and the melodramatic language of even the ancient psalms or sanitised fragments of psalms we pray at church have some potential).

And the second reading! Why not a reading from the wisdom of bell hooks? or Paolo Freire? Ok so that is a teacher’s bias in choosing those wisdoms. Why not Einstein? Why not Jane Goodall? All the readings that reveal Godde. A reading from the journal of a domestic violence survivor. A reading from the rap sheet of a boy from the wrong side of the tracks. A reading from the appeal by a refugee facing deportation. A reading from the weekly budget on someone whose Centrelink has been cut. This is our Jesus and we are crucifying him.

Or praise Godde and have a reading from a poem by a seven year old. A reading from a photo album of a childcare centre. A reading from a love letter kept for over 30 years. A reading from a bestselling novel. A reading from a wine critic describing a wonderful Shiraz (my bias thus shown). A reading from someone coming out as gay on a facebook status with all the attendant supportive messages from friends and family. For Godde so loved the world that she gave us sons and daughters to nurture and listen to. So that everyone who believes in them (the “least of Jesus’ brethren remember so I am not on heretical ground here) will have eternal hope and work to make the world better.

Last week’s second reading talked about the “stone rejected by the builders” and I thought of all the good solid stones and even the rubble filler that the church father’s rejected in initially building the church and how we have let our rejections become habit. The stuff about being “chosen” and “priestly” should have flattered and heartened me I suppose but all I was seeing was the multiple rejections we base our building on.

And yet Godde’s “cornerstone, chosen and precious” is one such (or every such?) rejected stone. We try to keep what is bad outside the church and we lose too much of what is precious. If we trusted Godde even a little we would be a people of hands and hearts not of walls and border-security.

The rejected people, outsiders,

borderland dwellers, liminals and criminals,

refugees, strangers, fallen women and women too bound to fall,

over here ones, queer ones, a rainbow of misfits,

labels peeled and worn, gaping holes and jagged edges,

rough diamonds or maybe just broken glass

extra-canonical, challenging or just plain wrong,

revised, rewritten, disputed,

“does not meet our current needs” or text of terror,

trivial or unpalatable.

Let us find in this text, this experience and this person, the Living Word.

Thanks be to Godde.

Gloria

The Gloria comes after the penitential rite. It is joyful, especially as I recall at Christmas when the church bells were rung when it was sung. Liturgically it lifts everyone out of the depressive aspect of reflecting on “sin” into a focus on God’s redemptive greatness. God, within the prayer is constructed in a trinitarian framework. There is a paragraph each for the “Father” and “Son”. Words that are used to express their glory are masculine and kyriearchal “Lord…heavenly King, almighty…Lord…only Son…Holy One…Most High”

The Holy Spirit not being masculine enough I guess receives a mention in passing, as Jesus’ plus one while throughout the prayer Father and Son reflect masculine glory at each other in a smug exclusive fraternity. As a child I just went with the bell ringing and the soaring music and the relief from the “have mercy, have mercy” that perceded it (and possibly I should have written a post on the Kyrie as distinct from the penitential rite, perhaps I will consider that for the coming week).

Considering “Gloria” is also the real first name of the writer calling herself bell hooks, an considering the happy feel of the Gloria, let’s rework it. Before I start I return to Pied Beauty but Gerard Manley Hopkins which also starts “Glory be to God” but is written by a queer man.

What does a queer woman on the fringes of the church write. How do I relate to God’s “glory” and access that joy. I will go through the original prayer line by line and allow myself to subvert the things I can’t relate to, but attempt to be faithful to my tradition.

“Glory to Godde in the mundane routines of living,

and her joy infuse our every day.

 

Creating God- eternally working and caring,

infuser of hope into human history

we become still to be mindful of you, we learn gratefulness

praise bursts from us as song, dance, creative expression.

 

Jesus Christ, embodiment of God’s Word and Wisdom in history,

friend of humanity, Lamb of God

you transgress against every oppressive structure,

liberate us;

you live forever in the deep love of God

inspire us.

 

Holy Spirit, movement and fire of love

burn away our reluctance to generosity and compassion,

dance us into right relationship.

 

For you are the Godde who made, call and companion us

in a neverending dance together

in love. Amen

(as the rubrics in the original book instruct that the Gloria may be said or sung, so also it may be danced, drawn, silently known, loved, hugged, yelled, heard, modelled in clay or in any other way prayed. I believe as a teenager I used to dance it on the beach sometimes at night or once on the end of a jetty. Perhaps it is also there in ecstatic moment of conception of a future baby or an idea for writing)